How good does the Sigma 17-40mm F1.8 make APS-C look?
When you use DPReview links to buy products, the site may earn a commission. Sigma 17-40mm F1.8 DC Art @ 28mm | F1.8 | 1/5000 sec | ISO 125 Photo: Richard Butler Sigma's 17-40mm F1.8 DC | Art is a super-fast standard zoom for APS-C mirrorless cameras. It's a slightly wider, slightly longer, appreciably lighter update on the company's breakthrough 18-35mm F1.8 DC HSM lens for DSLRs. As with that lens, the 17-40mm can expand the operational envelope of APS-C cameras, giving a fast equivalent of something approaching a classic 24-70 lens (26-60mm equiv. on most mounts, in this case). Or it can be seen as a tube that comes with a series of relatively rapid primes stuffed inside. Buy now:Buy RF mount at AdoramaBuy E mount at B&H Photo The nature of shooting a lens gallery – trying to keep ISOs down, lest noise reduction blur away the sharpness and detail capture performance we're trying to show – means we haven't been able to venture into the lower light where this lens can really shine. We've also not yet had time to shoot the kind of video project that it should lend itself to. But we have had the chance to shoot it on both Fujifilm's 40MP X-T5 and a 26MP Sony, to see how both systems perform when focusing it, and we're glad to be able to report that it has none of the temperamental nature of its DSLR forerunner in that regard. Sample gallery As always, please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing; we do so in good faith, so please don't abuse it. Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab.

![]() |
Sigma 17-40mm F1.8 DC Art @ 28mm | F1.8 | 1/5000 sec | ISO 125 Photo: Richard Butler |
Sigma's 17-40mm F1.8 DC | Art is a super-fast standard zoom for APS-C mirrorless cameras. It's a slightly wider, slightly longer, appreciably lighter update on the company's breakthrough 18-35mm F1.8 DC HSM lens for DSLRs.
As with that lens, the 17-40mm can expand the operational envelope of APS-C cameras, giving a fast equivalent of something approaching a classic 24-70 lens (26-60mm equiv. on most mounts, in this case). Or it can be seen as a tube that comes with a series of relatively rapid primes stuffed inside.
The nature of shooting a lens gallery – trying to keep ISOs down, lest noise reduction blur away the sharpness and detail capture performance we're trying to show – means we haven't been able to venture into the lower light where this lens can really shine. We've also not yet had time to shoot the kind of video project that it should lend itself to.
But we have had the chance to shoot it on both Fujifilm's 40MP X-T5 and a 26MP Sony, to see how both systems perform when focusing it, and we're glad to be able to report that it has none of the temperamental nature of its DSLR forerunner in that regard.
Sample gallery
As always, please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing; we do so in good faith, so please don't abuse it.